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All artwork with size in inches is available, mounted and installation ready, at following prices:

10″x10″ $199  ¦  16″x20″ $637  ¦  20″x20″ $799  ¦  32″x40″ $2,550

Most artwork will ship within 1 – 2 days. Exhibitions has photos of prints on an art gallery wall, to give impression of scale. How to buy, but first copy the artwork title.

“Prismatic” new work-in-process for 2019.

It is an obvious evolutionary step to strip both the deep colour and the layered texture away from the High Multiples beautiful chaos. And then put it back – but how can colour and texture be included when it’s not there?

The photography for Prismatic is quite basic, stripping out all backgrounds to transparent is a lot of work, but it is very challenging to composite transparent pastel true colour. The Prismatic series will be revealed in May – June 2019.

Agalaura, 16″x20″

Aura

An interpretation of good and evil.

← Agalaura is the good sister, with omnipotent power.

Neraura is the evil sister, looking contemptuous. →

 

Details on gold and silver leaf on these images!

Neraura, 16″x20″

Hyper Dreams

Black & white Lightjet prints are beautiful, showing subtle grey scale range to deep warm black, they glow with faint but rich warm grey toning. The mounted Lightjet print of I Lean is one of my favourites, it’s so subtle, warm and rich. Unfortunately, this is example where backlit screens can not accurately replicate this visual depth.

Inverdigo and Cosmic Day are 32 exposures each, done in camera on film, the negative scanned and further edited in Adobe™ Photoshop. Process has more about how high multiple exposure is done in camera on film.

For those that made it this far, I’ll provide intimate information.

“Dark Balloons” is one of my favourite composites. How I assess my own work is threefold: the physical and colour compositions must be aesthetically pleasing and sound, and the story must capture and relate the concepts that drive my art practice.

In satisfying these, “Dark Balloons” is flawless, to me. So, why did I ignore it for about 2 years, rediscovering it’s perfection when preparing large prints for exhibition? It comes back to it’s title; so how do I get these odd titles?

All my image titles come from word free association based on notes I make while I work: the difficulties of the creation steps, problems and successes, as well as creative inspiration. There were several photographs of models with balloons, one in particular was moody, unhappy. The concept: chiaroscurro, light from dark, is unusually reversed here, dark from light, and this is a concept I explore in numerous other composites as I find it describes this new century’s intractable problems.